
- ADOBE AFTER EFFECTS TRANSPARENT BACKGROUND HOW TO
- ADOBE AFTER EFFECTS TRANSPARENT BACKGROUND MOVIE
- ADOBE AFTER EFFECTS TRANSPARENT BACKGROUND FULL
- ADOBE AFTER EFFECTS TRANSPARENT BACKGROUND PLUS
The way I would set up the comp is to start the first 15 frame transition on frame 1, finish it on frame 16, then start the next transition on frame 18 and finish it on frame 33, then start the next transition of frame 35 and finish it on frame 50, then start the last transition on frame 52 and finish it by ending on the first layer at frame 67.
ADOBE AFTER EFFECTS TRANSPARENT BACKGROUND PLUS
The total length of the banner is 45 seconds plus 4 * 15 frame transitions. Fifteen seconds layer there is a 10 frame transition to the next frame and it holds for 15 seconds, then there is another 10 frame transition to the next frame, then that frame (image) holds for another 15 seconds, then the third transition for 10 frames to the final frame before the last transition back to the first frame.

Let's say you are designing an animated banner for a website. There is never any need for duplicate frames in an animated gif. You can have that frame last for 30 seconds if you like. Inside Photoshop you can set any frame for an animated gif to any duration. Let me talk about the no duplicate frames. Use the Photoshop File menu to export an animated gif for the web using the Legacy option.In Photoshop, adjust the duration of any frames that I want to last longer than one frame (read the explanation).Render the file and open it in Photoshop.Add the comp to the Render Queue and choose the Lossless With Alpha preset in the Output Module settings.Make sure that are no duplicate frames in the animation (see details below).Set the comp frame size to an even number of pixels high and wide because Gif's work better that way.Set the comp frame rate to 8, 12, or 15 - there is no need for any higher frame rate in an animated gif.Ensure the other settings are correct (such as ‘Optimize for SSD’) and then press Convert at the bottom of the screen.If I need an animated gif from an After Effects comp I do the following:.Using the pulldown menu, select RGB & Alpha, Just Alpha or Just RGB as required.

Once loaded into the queue, you will note that DFM defaults to 444 where you would normally have the option of 444, 422, and 420, and adds a pull-down menu that defaults to RGB & Alpha. Open DFM and load the media into the queue by selecting the ‘add media’ button in the top menu bar.įind your newly created TGA sequence and select the first file, then Open. 7th to render only the alpha channel, you can do so by following these steps in DFM. However, if you would like to convert to. Delta can play this back natively and, depending on the composition of the show, you may not need to use DFM. Once the render is complete, you will have a 32-bit RGBA TGA image sequence. Set Format to Targa Sequence, select RGB + Alpha from the Channels menu, and then verify that 32 bits/pixel is selected under the ‘Format Options…’ button. Click on the current option next to Output Module to open the ‘Output Module Settings’ window.Ĭ. In the Render Queue output settings, do the following:Ī. With the new composition opened in After Effects, select the Composition > Add to Render Queueĥ. Verify the settings are correct – note that source framerate at this point is irrelevant as we are doing a frame for frame conversion.Ĥ. Right-click the image sequence and select ‘New Comp from Selection’ģ. Import your media with transparency into a new After Effects projectĢ.
ADOBE AFTER EFFECTS TRANSPARENT BACKGROUND HOW TO
The following steps are an example of how to convert from a PNG image sequence with transparency, to 32-bit TGA using Adobe After Effects CC.ġ. Other transparent media, however, will need to be converted to 32-bit TGA before ingesting into DFM to convert to. This can result in a significant savings of storage and bandwidth requirement for playback.ĭFM natively supports 32-bit TGA (RGB+alpha) content for this process (and Delta supports native playback of 32-bit TGA).
ADOBE AFTER EFFECTS TRANSPARENT BACKGROUND FULL
The benefit of the latter, for example, is if you have transparent media that is intended to be a luma key only and do not need the full RGB information, but only the alpha channel. 7th 444A for RGB+A support, or strip out independently the RGB or alpha channels.
ADOBE AFTER EFFECTS TRANSPARENT BACKGROUND MOVIE
If supplied with movie media that has a transparency (alpha channel), you can use DFM to convert that media to.
